Thanks to Nina DeCesare, the lone woman double bassist in my orchestra, for compiling these dismal statistics, which I have organized and commented on here for you.
The following are a selection of US orchestras with zero women in their bass sections today. Please note how many of these orchestras are amongst the most highly paid and prestigious in the US:
Boston Symphony 0/8
Buffalo Philharmonic 0/7
Cincinnati Symphony 0/6
Cleveland Orchestra 0/8
Chicago Symphony 0/9
Detroit Symphony 0/6
Houston Symphony 0/8
Los Angeles Philharmonic 0/10
Lyric Opera of Chicago 0/5
Metropolitan Opera 0/5
National Symphony 0/8
New York Philharmonic 0/8
North Carolina Symphony 0/5
Rochester Philharmonic 0/7
San Francisco Symphony 0/9
Philadelphia Orchestra 0/8
Pittsburgh Symphony 0/9
Utah Symphony 0/8
(That’s zero out of 134 players in the above orchestras.)
The following are a selection of US orchestras with one woman in their double bass section. An asterisk is next to the name of the orchestra with a woman principal bass player. In parentheses afterward is the year the woman was hired to the section:
Atlanta Symphony 1/6 (1984)
Baltimore Symphony 1/7 (2019)
Colorado Symphony 1/7 (2024)
Dallas Symphony 1/7 (1979)
Fort Worth Symphony 1/5 (cannot find date)
Indianapolis Symphony* 1/7 (2003)
Kansas City Symphony 1/6
Milwaukee Symphony 1/6 (2022)
Nashville Symphony 1/7 (2014)
San Diego Symphony 1/7 (2004)
Seattle Symphony 1/7 (1999)
St Louis Symphony 1/7 (2004)
Oregon Symphony 1/5 (2022)
(That’s 13 women out of 84 players in the above orchestras. The woman in Kansas City is a one-year rather than tenure track appointment.)
The following is the only major US orchestra we know with two whole women in their double bass section. An asterisk is next to the name of this orchestra because it also has a woman principal bass player. In parentheses afterward are the years the women were hired:
Minnesota Orchestra* 2/8 (2009 and 2014)
(That’s 15 women out of 226 players in the above 32 orchestras or 6.6%.)
With regard to the asterisked orchestras above, the two women who hold principal bass positions are Ju-Fang Liu of the Indianapolis Symphony and Kristen Bruya of the Minnesota Orchestra (pictured below, l to r.) Since 2013, we believe there are three instances of women winning trials at principal bass auditions but not being hired to those chairs.
I'm curious to know what the percentage is of male versus female music majors with concentration on Bass. Having taught in the public school systems over several decades, there were always way fewer girls playing bass for whatever reason. When my son played bass in orchestra in college, there were no girls in the bass section. You're doing great work to bring these issues to light... I'm sure it's exhausting, but it's appreciated.
Are auditions blind all the way through the choice of the person? And isn't there a probationary period with the winner playing in the orchestra, so the chosen winner can lose the job based on non-blind information?